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Modern Baseball – Sports

Sports is the debut full-length effort from Modern Baseball following a split release with Marietta. With a blend of indie, emo and pop, Modern Baseball bring song writing back to basics, but they prove that sometimes (although definitely not all of the time) the simpler the better. The melodies throughout are relatively straightforward and don’t ever achieve much in the way of complexity, but they do not try to. What they bring to the table is an album bursting with catchy rhythms and quite ordinary but far-reaching lyrics. As a band in their youth, Modern Baseball have definitely grasped the basics of a good song composition and stuck to it. They haven’t been overambitious, but they have been clinical thorough, moulding an album that will stay long in your memory.

“Re-Do” kicks of the album with a strong riff which builds up into regimented bursts of energy. The toing and froing between choruses and verses bring smooth changes of tempo with it and this is a common feature throughout the album, allowing for some miniature dramatic crescendos throughout in each song. The foot-tapping pace, which quickly develops into a belting chorus follows the singer’s “unrequited love for life”, before “Tears Over Beers”, one of the catchiest songs of the year never mind the album, shows the vocalist’s resentment of the typical teen story of the pretty girl who doesn’t know her own worth pining over some ‘jock’ while the ‘nerd’ looks on. Modern Baseball’s approach is a refreshing take on pop punk which emphasises the ‘pop’, but is perhaps lacking in the confused angst displayed by its noisier sister which places a little more emphasis on the ‘punk’ half of the equation.

Modern Baseball craft songs which are charmingly awkward as the narrative works through the emotional growth associated with the age group populated by those guys who are no longer boys but not yet men. Several songs on the record include explicit references to the digitalisation of modern culture, especially noticeable in “@chl03k” which describes conversations and relationships conveyed through Twitter and Facebook. This can make the songs sound a little too descriptive of a bland ordinary day in the life of a teenager, but it is part of what makes the listener become enveloped in each track. However the literality of the songs makes no room for artistic metaphor and they are left lacking much in the way of complexity, but this may enter in as the band matures.

One of the best things about Sports is its ‘relatability’. The lyrically simplistic songs detail events that will occur in the average life of every teenager. These themes jump from feeling socially inept when compared to the popular kids, the emotional struggles associated with leaving home, and as you would expect, teen love in all of its awkward and cringey glory. This is clearly nothing new and it could be argued that such themes form the basis of most young bands’ writing, but it’s their ability to get people singing along and empathising while keeping the issues and music itself simple that makes this debut a clear success. As a band in their youth Modern Baseball don’t only show a few green shoots and potential for growth, every bar of music resonates the promise locked inside Sports which could explode out into a very special second album. While I have picked out its simplicity as one of the keys to the success of this release, it would be nice to hear a bit more complexity and experimentation next time around, but what we are left with for now is a solid debut from a band you have to look out for in the future.

Four out of five high fives!

Looking for new reviewers!

Hello!

We’re looking for new reviewers to join our merry crew. If you like writing about alternative music, then we’d love to hear from you! The position is unpaid, but our average hit count is about 100,000 a month (so that means quite a lot of exposure) and you’ll get access to some of the best new music around. The site is currently undergoing development so that it’ll be faster, leaner and generally more pleasing to look at, but that all takes time and effort, so the more writers, the better!

Please send samples of your work to ripper@twobeatsoff.co.uk. We expect two reviews a month, but we’re pretty flexible. While you’d start off on reviews, we’re happy to discuss putting together other features and possibilities.

xoxo – Ripper

With Silent Eyes – Destroyer Of Worlds [EP]

Destroyer Of Worlds is a short, but definitely not sweet, EP from Derby boys With Silent Eyes. A dirgey metalcore affair, it grabs you by the short and curlies from the first second in and doesn’t let go again for another twelve or so minutes. ‘A Word Of Warning’ is choc a block with chugging breakdowns and hellish vocals. There’s plenty of two step opportunities throughout the track and the release as a whole, which is what I always look for in my metalcore, as well as some fun tapping. It’s got all the conventions, and while it might not be playing around with them, it’s still an exciting and explosive effort.

Next track, ‘Nothing Lasts Forever’, has a lot more melody dropping in and some Every Time I Die style guitar lines. However, the vocals are lacking the previous depth of tone that they had at the beginning, and there’s very little variance in pitch when the track needs it most. Despite that, it’s still the most tightly crafted track on the EP and by losing a little bit of the atonality that was present earlier, it shows the band’s true talents off. ‘Eradicator’ opens with a cracking sample of Oppenheimer over a haunting riff before kicking off for real, and while the band stray a little bit into the ‘tuff hxc guy’ territory with the lyrics, the sense of atmosphere built throughout the track more than makes up for it. Music like this needs that kind of horror and suspense, and ‘Eradicator’ more than has that potential. However, the end lets it down – there’s a fantastic bit where the music drops and gang vocals begin to fade out, and by reintroducing the chorus again, the band miss out on the opportunity to finish off on a very poignant and arresting note. Nevertheless, if you like your music nice and heavy, then you could do worse than take a chance on With Silent Eyes.

3 out of 5 high fives!

Ravenscode – District Of Broken Hope

Ravenscode are an alternative rock band from Ontario, Canada. Their debut LP, District Of Broken Hope was released early last February. It has a pretty awesome cover, courtesy of Charlie Adlard of The Walking Dead fame. They are the official band of the Oshawa Generals hockey team. Absolutely all of this is positively endearing, but District Of Broken Hope is sadly not that interesting in comparison.

It opens well, at least. ‘Hero’ begins with a bang. You’re immediately hit with a great sense of confidence and passion, and it’s clear that Ravenscode love what they do. They revel in building up a striking intro, and lead vocalist Justin Bezaire has the perfect tone for this kind of music. However, a closer listen to the lyrics reveals tired metaphors. While lyrics do not make a song what it is, the feeling that they give begin to transfer out into the album as a whole. They’re safe; and that’s exactly what District Of Broken Hope is. Everything is tried and tested. As the album goes on, each track takes on a certain formula. You know how the song’s going to start, you know where the guitar solo is coming and you know how it’s going to end. The tracks that deviate from this are the best on the album. ‘Where Were You’, for example, begins with an acoustic intro, has a slow verse before coming in strong with a standout chorus. It even throws in some great ‘na na na’s’ towards the end.

For what it is, it’s all very well made. ‘Hyde’ is possibly the best showcase for the band as a whole, featuring some strong vocal lines, great riffs and a pounding rhythm section. Every song is meticulously crafted. Throughout the whole LP, there’s a certain sense of impetus and drive that can often be lacking from this kind of music. It just doesn’t stop it from being background music. It’s not raw enough; I don’t feel the distress and the heartbreak that the lyrics portray as I listen to it, nor the anger that should be present in tracks like ‘District Of Broken Hope’. It’s radio friendly, which can be both a boon and a detriment. In this case, it’s bit of both.

2.5 out of 5 high fives!