Lock It Up (At Reading And Leeds 2010)

When I looked at that page on the 25th May, I thought I’d attained rapture or nirvana or some other such spiritual high. The announcement I’d been waiting for since I’d bought the tickets was finally there and it seemed like more than I could have hoped for. In order to grasp the importance of this upon my being, here’s a few things about my feelings for Reading Festival which you probably should know:

  1. As a rule, I generally hate most of the main stage acts. With the exception of about 20%, that holds true this year.
  2. It’s not quite a waste of money, but it is horrifically expensive, so there has to be something there to keep my attention.
  3. As nobody will go with me to Rebellion in Blackpool, the Lock Up tent is my one chance of seeing a wide variety of punk rock in the space of one weekend.
  4. I would still rather be at Rebellion.
  5. So therefore, the Lock Up is a very big deal to me. Many bands who are embarking on a world tour will only play Reading and Leeds before they head off to pastures Japanese, particularly in the summer. So like last year, allow me to dissect the Lock Up for your information.

    Friday
    This time, there are a fair few bands I haven’t heard of on the Friday. I will most likely be spending time on the main stage as a result, if their Myspaces don’t impress. But, let’s give them a fair chance.

    Blood Or Whiskey
    Blood Or Whiskey may possibly be the only true Irish punk band in the scene today, as we generally have to deal with Boston impostors. They describe themselves as “demented Irish traditional music kicked in the balls by punk rock!” and well… I wouldn’t so much say kicked in the balls but possibly tapped. It lacks the edge of the Murphys or the melody of Flogging Molly, but it’s certainly an interesting combo. And they get extra points for actually being Irish.

    Crazy Arm
    Crazy Arm are on Xtra Mile, alongside folk punk hero Frank Turner and their Myspace proclaims that they’re a mix of punk, rock and country. I’m not hearing the country so much, but I am hearing brilliance. Their singer has a positively lovely voice, and it sounds like good honest punk rock. I may have just found my new favourite band. First song I clicked on, Still To Keep, grabbed me by the lady balls and said ‘fucking listen!’ So, I certainly am, I’ve ordered the CD just now, and will be watching these guys without a doubt.

    The Skints
    Punk based reggae from London. Generally, I don’t like reggae at all, but this doesn’t sound too bad. There definitely is more reggae than punk in this, but recent slots on Slam Dunk Festival lead them to be put onto the Lock Up. As the song (GET ME!) plays, it gets a bit more heavy, gains a bit more attitude, grows in confidence. I imagine that they’d be a reasonably fun band to watch, and I appreciate that they don’t lose the London accent in favour of something a bit more Jamaican flavoured.

    Civet
    Civet are an all girl punk band from LA. Now, I’m going to hold back my prejudices (how terribly unfeminist of me) because hell, so far I’m in an all girl punk band . In their Myspace pictures, these girls are dressed to the nines, and well, good on them. I’m hoping that the song content isn’t all ‘we hate men, let’s torch some shit’ because so far, ‘Son Of A Bitch’ seems to be just that. They seem like the cliché girl group, which is a shame, because it’s been proven that girls in punk rock can be so much more – Bridge and Tunnel, The Distillers, Tsunami Bomb! Although they didn’t have an entirely girl band, they certainly knew how to rock and not try and play up their feminine wiles in order to get people to listen to them. Sadly, I will be watching these in order to see how it goes, but I can guarantee I won’t be enjoying it.


    East Bay hardcore. This is more like it! It’s hardcore, sure enough, but there’s a bit more to it – far more melodic than you might expect. The band themselves describe themselves as genre breaking and to be honest, they are. They say they’re progressive, hoping to show that through their music and their lyrics and yeah, I can agree that they are. From the songs I’ve heard on the site, I’m not sure how electric their live show would be, but musically, they’re certainly keeping me interested.

    This Is Hell
    Well, I knew what to expect, having heard these guys before. This Is Hell? This is hardcore. Some sweet breakdowns, fast pace, kind of from the same school as Comeback Kid (which is never a bad thing) if only a bit more melodic which is how I like it anyway. Woo, clauses. I am going to come out of a pit battered and bruised after this one, whilst loving every minute.

    Strike Anywhere
    I’ve never really listened to Strike Anywhere before, although knowing that they were exactly my kind of music. I don’t know why not, just never thought about them before. Straight up American punk rock, and there’s not much more to say about that! Lots of fun gang vocals seem to be cropping up, which will make for good times in the set. Yeah, I’ll watch them.

    Streetlight Manifesto
    HOLY FUCK I LOVE STREETLIGHT MANIFESTO. Maybe now I’ll get to watch them this time! Last year, I had a younger sister in tow and a boyfriend who hated ska. Now I have a younger sister in tow who is a little older and has friends to accompany her and the boyfriend is now an ex. I am going to skank my little heart out to some sweet, sweet ska.

    Hatebreed
    Typical tough guy hardcore. I’ve never been a Hatebreed fan, alongside Throwdown and Terror and similar hardcore bands that only have one word names. I mean, the guy’s wearing a bandana in the video, for fuck’s sake. You know exactly what kind of band this is. And well, I’m not a fan. I’ll more than likely end up watching them for the sake of it while I wait for something better.

    Against Me!
    Oh yeah, and there’s the something better! We all know my feelings for Against Me! and if you don’t, it’s that I adore them with all my soul. They only come second to AFI on my favourite bands list. I originally hated White Crosses, then started to love it and saw them on their UK tour (I even reviewed it). They’re my favourite live band and no doubt, they’ll completely own the place.
    Sick Of It All
    Again, I’ve seen Sick Of It All already this year, as they supported AFI but holy shit, they were amazing! I first saw these guys headlining the Lock Up in 2006 and well… it was great then, they’re bound to be great now. The new album is pretty badass and Built To Last is one of the greatest hardcore songs ever written so they should be on top form.

    Alkaline Trio
    Again, another band I’ve already seen this year and adore. Alkaline Trio were good, but they could have been better when I saw them in Birmingham. A festival set should be a lot sharper, a lot more singles based and generally, more fun. Hopefully, the Trio’s most dark and acerbic songs should be coming out to play for what should be an excellent set.

    Well, out of 12 bands, it seems that 9/12 are set to be pretty fantastic in my eyes. Worthy of a whole day spent there? More than likely. To be there early enough to catch Crazy Arm should result in me being there the whole day and I’m surely going to enjoy myself. Even if I am on my own all day.

    Saturday
    Saturday’s lineup is a bit more well known in regards to my musical background and therefore, I’m most likely to spend the day there. There are, however, a few rogues in there that I haven’t seen live before or heard of, so I may as well break it all down again for you.

    Moral Dilemma
    A bit of female flavoured punk rock from London. Unlike Civet, it seems like these boys and girls actually know what they’re doing. This is some seriously angry stuff, and don’t be fooled by the fact that there’s a girl in the band – it’s pretty brutal. This is exactly the kind of music I would like to be playing myself. This should make for an excellent wake up call on Saturday morning.

    Off With Their Heads
    I LOVE THESE GUYS. …From The Bottom is a ridiculously good album which more people need to listen to. Oh, they’re just so good! I can’t help but sing along whenever anything of theirs is on, and nothing’s changed since they moved to Epitaph – it’s still as gruff and bouncy as ever. These guys are set to be one of the best bands of the entire weekend. Yep.

    Paint It Black
    Paint It Black, Dan Yemin’s other band, are not quite Lifetime but hell, they’re still pretty fucking awesome. Melodic hardcore at its finest. Following after Off With Their Heads, everyone should be pretty psyched up and feeling up for some good clean fun, making this set potentially amazing. One of the bands I’m most looking forwards to in the weekend.

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    Trash Talk
    A band frequently featured on The Org that well… I haven’t ever listened to completely. Pretty heavy stuff. This is set to be one of the most intense sets of the weekend. I might sit this one out, to be honest. I love hardcore, and I love really heavy hardcore, but if I want to survive for Bad Religion, it might be a good idea.

    The Rats
    Well, The Rats just don’t seem to exist. Lots of googling aside, it looks like it’s most likely Gallows, as their fan club is called The Rats. However, it could be a wide number of bands, as it appears to be a secret slot; personally, I’m hoping for The Gaslight Anthem.

    RX Bandits
    Again, a band I’ve heard of but never actually heard. Well, I probably have at some point in my life, but for the purposes of this article, no I have no. They seem to be a glorious mix of EVERYTHING – there’s some synth in there, some ska grooves, some vaguely Minus The Bear-esque sounds. Hell yeah I’m checking this out, if for no other reason than I’d love to finally find out who the hell they are.

    Crime In Stereo
    Crime In Stereo are amazing. Pretty much enough said. Seriously fine post-hardcore. I’ve never seen them live before so this should be an interesting set. I unfortunately do not know enough of their back catalogue to predict what they’ll play, but I’m hoping a fair amount from Crime In Stereo Is Dead because well, that’s pretty much the only album I know. I am very, very excited for these.

    Zebrahead
    Zebrahead! It’s been far too long! Last time I saw you, it was 2006! Possibly earlier (when the hell was Give It A Name in Birmingham?) or later, but even so, it was at least three or four years ago and I have missed you. The only pop-punk band that I will ever permit to rap in (Good Charlotte kind of tried it and failed) because they’re so much fun! Me + moshpit + Zebrahead = happy Ripper. I wouldn’t miss this for the world, if only for the nostalgia element; Zebrahead were one of the first bands I encountered by the medium of satellite television.

    Cancer Bats
    Cancer Bats are pretty brutal. I’ve been around Cancer Bats but never actually seen them as a result of “Ripper, let’s go watch something else that isn’t any more of your hardcore shit!” Unfortunately, I am the best sister in the world and will sacrifice much to keep my sister happy. But not Blink 182 on Sunday. But yeah, Cancer Bats are a bit more metal than hardcore but ultimately pretty awesome. I will cling to the barrier and hope not to die.

    The Get Up Kids
    Oh. Holy. Shit. I’ve been wanting to see TGUK for aaaaaaaages, but never managed to when they did their first and second reunion tours. Therefore, this should be something special. I’m a huge 90s emo fan and while TGUK might not quite fit that mould, they come close enough. Like Rival Schools were my fix last year, TGUK will be this year. Oh man, I love James Dewees so much. If you’ve never listened to The Get Up Kids, please remedy this immediately. It’s in your best interests and will make you a better person.

    Bad Religion
    Do I need to say anything? It’s Bad Religion! One of the first punk bands I ever listened to, courtesy of Tony Hawk’s Pro Skater 2, one of the first punk bands that made me pay attention to the world and one of the biggest inspirations behind my wanting to be a musician some day. This will make Reading Festival. Oh yes.

    So, Saturday seems to be a most excellent day with 10/12 being most likely to enthral me. But please, let’s have positive thoughts about it not being Gallows for The Rats, as well… they suck. But on the whole, the Lock Up looks to be more impressive than last year’s efforts and I can see that it will be a worthy enough replacement for Rebellion, especially as World/Inferno Friendship Society have pulled out of Rebellion. Sweet.

Lock Up Your Daughters (At Reading And Leeds 2009)

Following the Reading and Leeds festivals online has become my new internet obsession. Waiting to see who’s been announced, disappointed when people who were strong rumours aren’t going to be there, shaking my fist at the computer because somebody shitty is playing instead… it’s all part of the fun of the build up to the actual thing itself. It’s just like when I was obsessively following the Watchmen movie before it got released – the hype, the excitement, in order to be eventually both wowed and disappointed at the same time (we’ll talk about that when the DVD comes out). I am pretty sure the same will apply to Reading, but with more music and less punching people in the face. I think.

The stage that I’ve been most interested in, the Lock Up stage, has been announced in its entirety, as far as I know. And like I said, there’s some disappointment, but there’s also some serious excitement. And I mean the kind where you punch the air like you’re straight out of an 80’s teen movie. There’s also bands I’ve not really listened to. I probably won’t care about them either. So, here’s my rundown on the ones to watch this year.

Just for reference, the band’s name will link you to their Myspace or related website so you can check them out for yourself. Also, these bands are in order of headlining, meaning that the lower down the band is, the earlier they will be playing.

Friday

Billy Talent
Billy Talent are headlining the Friday this year. I saw them live a couple of years ago at Leeds and really enjoyed them. They’re over excited Canadians with good music, how can you say no?! Well, my boyfriend dislikes them with a passion so he could probably tell you, but I don’t know anyone else who doesn’t like them. Even my mum rates these ones and she’s a difficult lady to please.

Anti-Flag
If I’m being honest, I’ve never been that hot on Anti-Flag. I’m not sure why, I just never got into them. I like political punk a lot, and I probably filled my quota by the time Anti-Flag rolled around. However, live videos I’ve watched seemed pretty awesome. Lots of energy, which is just what you need on a punk stage. Who knows, this might be the year I get converted to the Anti-Flag camp.

Alexisonfire
Alexisonfire are great. I really like them. I tend to just like bands from Canada (excluding Nickelback and Simple Plan). Although I haven’t heard the new album or the first album, I really liked Watch Out! and Crisis. According to Bailey, they’re awesome live, and I tend to trust most things Bailey says. Therefore, I’m looking forwards to these.

Bouncing Souls
I know someone who is very excited for these guys, namely our own ninthandash. Truth is, so am I. These are one of those bands that take me back to my P-Rock TV days. If there’s any band that makes me miss being 13, it’s Millencolin. And it’s these guys too. Great summer punk rock songs which are just perfect for the festival season. You’ll be disappointed if you miss them.

Leftover Crack
Leftover Crack are legends in the punk scene and I’m not entirely sure why. Probably due to their controversial lyrics, but apart from that, I don’t think that there’s that much that’s special about them. I’m not bothered about seeing them. They have a couple of alright songs though. They’re very politically based and are pretty much anti-everything, so be prepared for some heavy stuff.

The Aggrolites
The Aggrolites are pretty fun, but pretty bland at times too. They’re an odd mix of reggae, ska and punk rock, and can be found on Tim Armstrong’s Hellcat label. I don’t know what they’d be like live, but Dirty Reggae is a tune and a half.

Streetlight Manifesto
Streetlight Manifesto are one of my favourite ska bands. I’ve never had the opportunity to see them live (my boyfriend hates ska, my sister’s not really into it and I haven’t been to a gig with my parents since My Chemical Romance) so I am actually really excited to see them. I am definitely forcing some people to stick around. If you like catchy ska tunes that are a little bit different to the majority, check out these guys. You won’t be disappointed.

Fake Problems
I love this band. Their songs have a habit of getting stuck in my head for days. Seriously great stuff. I’m very much looking forwards to seeing them and you should be too! Not to mention, this band has had some killer facial hair (see my last article for more details!).

The Riverboat Gamblers
These are one of those bands that fightclubsandwich always tells me to listen to but I never get round to it because I’m too busy swirling around in a world of J-pop to care about anything else. But after looking at the Myspace just now, I’m actually loving this. Excellent summery punk rock tunes. I shall be watching these.

The Flatliners
I’ve never listened to The Flatliners before. It’s one of those names that comes up on punk news sites that I read on occasion, but I’ve never thought to look into. I go on their Myspace and see that they’re from Canada. This is a good sign. I listen to the first song, ‘The World Files For Chapter 11’. If I had balls, this song would have grabbed me by them. This is actually the kind of band I’ve been looking for! I will be watching.

The Ghost Of A Thousand
This is a band I’ve heard good things about, but have never heard anything from. They’re from England, and apparently are a hardcore band. I’m apprehensive. The British scene hasn’t put out anything good in a LONG time (apart from Cutting Class, who you should listen to, by the way). Upon a listen, the first song sound pretty good. According to the Reading Last.FM page, they’re shit live, but I’ll reserve judgement until I see them for myself. I just wonder if they can get a pit going that early in the morning.

The Plight
The Plight are also a British hardcore band. Again, I’m slightly apprehensive. But, from the Myspace, I see they’re touring with Cancer Bats, which is quite a good sign. Listening to the first song, I’m not really feeling it. The second song sounds a lot like Fight Paris, until the vocals kick in. I’m used to the gruffest of hardcore vocals, but I don’t know, I just don’t like this man’s. Perhaps they’ll prove me wrong when I’m there.

So that’s Friday out of the way. So far, we’re on a potential 8/12 for awesomeness. This makes for a good day, considering the main stage line up is fairly shit. Now, I’ll have a look at Saturday. The good news about this is that all the bands I want to see on other stages are playing on the Sunday, so I won’t have to miss them. Believe me, I’m not missing AFI for anything.

Saturday

Rise Against
Do I really need to say anything? Rise Against = one of my favourite bands. Rise Against = one of my favourite live bands. If I have to skip on these to watch Arctic Monkeys, I might actually cry.

Thursday
I’ve seen Thursday twice before, and I know I’m in for a good time. Thursday are a great live band. Geoff Rickly totally sexy dances at various points. I don’t think he can help himself. Either way, I know this is in support of the new album which I really want to hear, so I’m looking forwards to seeing them again.

The Bronx
The Bronx are straight up punk rock. Apparently, their live shows are explosive, so I would very much like to be a part of that. Plus I’ll have to watch them anyway for a good place for Thursday, so if they’re good, that’s just even better.

Mad Caddies
Another one of my P-Rock bands from yesteryear, I always remember Mad Caddies making me feel really happy. I think this is because they’re a ska band and my natural reaction to ska is this emoticon: ^________^. I’ll be watching them if I can convince my boyfriend and my sister to stick around.

Rival Schools
Again, a P-Rock band I adored. At the time, I didn’t know they had members from Quicksand, Gorilla Biscuits, CIV and Youth Of Today, bands that now mean a lot to me. I also didn’t know that they had one album. I just remember that one song, Used For Glue, and how awesome it was. The fact that they’ve got back together to do some shows is amazing and I will not be missing this for the world.

Set Your Goals
I like Set Your Goals. I like the EP better than the album, but nevertheless, I like them. I’d like to see them live. They’re a lot of fun and have a song named after The Goonies, which gives them extra points.

Snuff
Snuff are yet another P-Rock band from my childhood. If you never watched P-Rock TV, you missed out. I always liked Snuff, even if I didn’t listen to them as much as some of the other bands on the channel. Good punk rock with a touch of ska. I wouldn’t mind watching them.

Municipal Waste
Municipal Waste are straight up hardcore with some of the most badass album artwork I’ve ever seen. I’m usually not a fan of most stuff on Earache, but I do quite like Municipal Waste. They seem like they’d be very good live too, so I’ll probably be watching.

A Wilhelm Scream
I always think that I’ll check these guys out and always forget. Again, it’s that J-pop thing. It can drive you mad, you know. Listening to the Myspace, I can hear that the singer has a really gruff voice, which I like. It’s melodic punk, which is probably my favourite kind of punk, and it’s managed to knock my Comedian poster off the wall with its awesomeness, so I assume I’ll be watching.

Chuck Ragan
WHY IS HE NOT FURTHER UP ON THE LIST?! I know it’s Chuck on his own, not Hot Water Music (which I’ll admit, I’ve been hoping for since I booked the tickets) BUT STILL! I am watching this no matter what. I suggest you do too! Wonderful folk punk anthems for the weekend.

Polar Bear Club
I really like Polar Bear Club. I saw them with Frank Turner (who I am seeing again this summer) and The Gaslight Anthem a couple of months ago and they were great! Really full of energy and they’ve got an awesome sound. Very enjoyable. I wouldn’t mind seeing them again.

The Computers
The Computers are WEIRD. It’s like a really weird mix of hardcore and blues, but I’m actually really enjoying it. And holy shit, there’s a harmonica in this breakdown. I am not missing this shit. Look them up, because this’ll blow your mind.

As for the Saturday, I am quite comfortable watching every single one of those bands, giving it a 12/12 for awesomeness. After seeing the main line up announced, I was very disappointed, and only really wanted to go because it’s the first year I can camp. However, this has given me hope for the weekend. I will go, I will see good bands, I will throw down! Thank goodness for punk rock.

Leeds Festival 2009 – Friday (a review by ninthandash)

FRIDAY.

Leeds Festival. Two words that will give anyone from the North of England either happy memories or a resentful frown. Last year, being unable to go, I was sadly the latter. But this year, I made it. I’m writing this from my bed, a novelty which has not yet worn off for me, and I’m so covered in bruises that I was considering attempting to play connect-the-dots – an idea I quickly threw away once I touched the pen to my arm and remembered all over again how sore I was. This, of course, is my way of beginning to explain what a fucking fantastic week-end it was.

I cleverly decided to bring a friend along with me who hadn’t heard of most of the bands who were playing, aside from the obvious, and who wasn’t a fan of many of the bands she had heard of (Arctic Monkeys, Kaiser Chiefs, etc). This meant that I could slyly enforce my own schedule upon her while saying, eyes wide, “But are you sure there’s nowhere else you’d rather be?” Of course, there wasn’t, leaving me free to rejoice in all the live music I wanted. I am a total live music whore, I’ll admit it right up. If it’s a band I’ve never heard of, I’ll listen (and probably dance, being unable to sit still). If it’s a band I don’t like… I’ll still dance. Hence the busy schedule – I was determined to make the best of my time.

The weekened opened with Mariarchi el Bronx. I’d heard tell of the Bronx’s mariarchi set and was intrigued to give it a chance. There wasn’t much else that I would be missing, so we headed on down to the Main Stage and seated ourselves comfortable. I’ll admit right now that I know next to nothing about mariarchi; Wikipedia tells me that it’s from Mexico and consists of of at least three violins, two trumpets, one Spanish guitar, one vihuela, one guitarrón and occasionally a harp.

Thanks to Mariarchi el Bronx, I also know that it’s forgettable. Mariarchi music is not something that interests me, in fact; it sounds like music that I expect to hear in the elevator or maybe when put on hold during a phone call. The costumes amused me, the stage presence was disappointing, and the reaction from the crowd was, understandably, almost none. Opening the main stage on a Friday afternoon is difficult, nevertheless, Mariarchi el Bronx were not, in my opinion, a success.

Up next were Fightstar, and we decided to stick around out of interest. Known to most as ‘Charlie-from-Busted’s-new-band’, Fightstar sounded mostly like a lot of noise… and not in a good way. (Yes, there is a good way.) I, personally, can never take them seriously after Busted, and Fightstar sound like a poor imitation of many better bands – so why not listen to the better bands instead? The most interesting part of their set was when the people around me started yelling out Busted songs as requests. I was hopeful that Charlie & co would play an impromptu version of ‘Air Hostess’ – sadly not.

Heading over to the Lock Up tent, I managed to get front row for Chuck Ragan. I’d heard nothing of his music before, aside from a pretty spectacular cover of ‘Wreck of the Old 97’ from a punk rock Johnny Cash tribute album, but as the ex-frontman to one of my all time favourite bands, Hot Water Music, I figured he was worth a look. And he was.

Chuck is now a folk singer/songwriter, and his music is catchy and fun while having a deeper tone to it. I knew he was doing folk, but I didn’t expect to find it as enjoyable as I did. It was one of my Leeds festival highlights, and Chuck has a great stage presence, even going so far as to throw free CDs into the audience at the end (although, I’ll admit I ducked, not wanting a sharp edged CD cover to hit my head at high speed).

At the NME tent, we managed to catch half of Metric’s set, including the fantastic ‘Monster Hospital’. Emily Haines is an amazing frontwoman, stomping around the stage in a glittery dress that I unashamedly coveted. However, they soon made way for the artist we were really there to see: Patrick Wolf.

Patrick Wolf is every inch a performer, with nothing but dramatic openings and gestures from start to finish. This isn’t to say that the focus is taken away from his music, rather, it adds to his performance and becomes a part of it. Appearing on stage in one of his famous unusual outfits, white-blond hair tied back, Patrick displayed his amazing singing talents, going on to also demonstrate his keyboard-playing abilities. With a costume change halfway through the set, not to m ention some surprisingly earnest banter, Patrick never failed to entertain, including his gloriously indulgent twirls along the barrier. Definitely one of my Leeds festival highlights.

The next band we caught the end of were Mad Caddies at the Lock Up tent. They were undeniably fun, and you only had to glance at the audience to see that they were having an amazing time. Skanking and dancing all over the place, it was riotous entertainment and I couldn’t stop smiling during the whole three songs I was there.

After Mad Caddies, I made my way to the barrier for The Bronx. Not sure what to expect after their lack of stage presence and, frankly, dull performance earlier as Mariarchi el Bronx, I was pleasantly surprised when they arrived on stage in a whirl of energy. Screaming and throwing himself around the stage, Matt Caughthran at one point climbed halfway up the tall pole in the middle of the tent and did a backflip into the audience, setting the tone for the rest of the set.

It was impossible to stay still during their particular brand of noisy punk rock, and the set was over surprisingly quickly. At one point, Caughthran stood up on the barrier and demanded that all crowd-surfers be sent to him, ‘to deal with’. If I’d been tall enough to see and not flinging myself around in the pit, I’m sure that it would have definitely been something worth remembering.

After The Bronx finished and I’d had time to recuperate from their energetic set, Thursday took the stage. This was the third time I’d seen Thursday and they were similar each time, satisfactory and enjoyable but not particularly gripping or exciting. ‘Consistent’ would be the best word to describe them, and they did their best to get the crowd involved.

Friday finished up with Rise Against. The atmosphere was phonomenal before they even took the stage, with the tent packed full, causing barely enough room to breathe. Everyone was excited, and the music playing only added to the tension, with spontaneous sing-alongs to Jimmy Eat World’s ‘The Middle’ and Blink-182’s ‘Dammit’. Rise Against finally delivered an amazing show, playing a wide selection of songs and gaining a fantastic response from the crowd. They were the perfect choice to finish the night, and left me feeling exhausted in the way that means I know I’ve had a good night.

My Love/Hate Affair With Last.FM

I’ve been using Last.FM shamelessly to advertise my somewhat awesome music taste for years. I had an account back when it was called Audioscrobbler, and that account has thankfully since been completely wiped from existence and acknowledgement. But my latest account, I’ve had since 2006, and it’s worked out pretty well so far. However, Last.FM can also be a bit of a bitch, as many social networking sites can and will be. So, as I reach 20,000 plays, allow me to take you through my sometimes tentative relationship with Last.FM.

NB: None of these dates are entirely accurate because I have no idea when features appeared in Last.FM. It’s about as close as I remember, but seriously, I don’t know.

August 2006
I have bad music taste. Let’s start again! Let’s use a Misfits song name, like always, to show how cool and punk I am, and totally throw a spanner in the works by having a Michelangelo avatar (the Ninja Turtle, duh).

December 2006
Last.FM is just kind of there. It’s fun to look at, but the recommendations are awful. Hello, I already listen to Pencey Prep? I have no idea what neighbours are. They listen to lots of AFI like I do, but otherwise, I don’t get it. They’re not even next to me geographically, they’re all American and have better hair than me. I try talking to them but they don’t reply apart from ‘awesome taste!’. People on this site are not here for friends.

2007
It’s clear that Last.FM is just kind of boring. It scrobbles, there’s not that much there. I sometimes post in the shoutboxes for bands, shyly saying how much I like a certain song. Last.FM is much like any other music site – there’s a ton of assholes. I make a group for a forum I visit. We all go on there and bitch about how everyone else sucks and complain about the group charts. I am only slightly ashamed to admit that I contributed to Fall Out Boy being number one. I generally ignore the site for the time being, and instead, I just use it as a signature on a couple of forums I visit. Everyone applauds my underground taste. It’s elitist as hell to have a Last.FM signature and everyone knows it, but who cares? It’s hip, but it’s not that hip yet and you have to pay for most of the radio stuff. Paying for stuff is lame.

2008
One of my top 15 is Cute Is What We Aim For? Holy shit, what was I thinking? The Fueled By Ramen honeymoon is over now, I’m too old for this shit. Hooray, there’s a reset function, I am saved once again from having to display mediocrity. The community seems to be booming a bit more, so I join a few more groups. Someone invites me to one – exciting! I soon find that discussion in these groups is excessively limited and dies pretty soon. Shoutboxes are generally quite shit. Still really subscriber heavy, so signature fodder it remains.

2009
Last.FM suddenly gets interesting. The compatibility thing could be super awesome – note to self, must use this in order to hit on guys with good music taste. Radio is free! I find that recommendations actually work now – Andrew Jackson Jihad and Defiance, Ohio suddenly become part of my listening, and I pretty much just like everything on my recommendation station. I discover Last.FM scripts and the wonders of the OMI and feel validated; yes, I do have an open mind! Groups still suck. Shoutboxes still suck. Journals do not! Since I created TwoBeatsOff, Last.FM and the artist tag function in said journals has provided a wonderful opportunity for free advertising. Sweet. What does the future hold? More free advertising and an obsession in checking my average tracks per day. Oh, Last.FM.

Live: The Lawrence Arms – O2 Academy Birmingham 3, 27/3/10

Despite knowing about and liking this band for a relative while, I never caught them on any of their previous dates in the UK. Most likely because I was still on my Fueled By Ramen kick which we will never discuss in detail. However, as soon as I discovered that The Lawrence Arms would be winging their way back to dear old Blighty, I snapped up a couple of tickets and braved a horrendous two hour train journey in order to catch them.

Starting out were Birmingham regulars Kyoto Drive. Pop-punk to the max, with the Alex Gaskarth-esque singer to boot. All in all, not really my thing. Trying to engage the crowd just did not work for these guys, and this is a classic case of what happens when you book the wrong support band. It says a lot when the headline act can’t even remember their names, despite borrowing a guitar head off them. Their songs were far too saccharine for my liking, and although their set improved towards the end, I just couldn’t be doing with the singer’s false American accent. This is one of my main complaints in music these days – British singers who put on an American accent, even when they do it well, and Kyoto Drive’s singer was no exception. Grating as hell. I’ll admit they did put the effort in, even going around the crowd trying to flog their CDs. However, not personally recommended.

That said, Under Stars And Gutters, an Irish gruff punk band, were bloody fantastic. The thing with gruff punk as a genre is that you know you’ve pretty much heard it all before, but these guys did it so well. To be honest, it’s been a while since I was quite so taken with a support band, especially one I’ve never heard of before. The performance was fantastic, and lead singer Adam was utterly charming. Their songs, had I known them, would be awesome to sing along to, and I can see this band doing well. It’s catchy, it’s fun, it’s got a bit of an edge to it. Also, drummer Mark has a fucking amazing beard, and we all know what that means here at TBO. Good beard = good band. In fact, I’ve been listening to their songs on Myspace pretty much non stop since Saturday, so if you’re reading this, boys… any chance of telling me where I can purchase a CD?

And then The Lawrence Arms came on and just totally stormed the place. There’s one thing I absolutely adore about punk shows and that’s the amount of completely dedicated fans. Not that you don’t get that in other genres, but the sheer amount of people in one room that are singing along with every breath they have is a little less common. Perhaps it was more obvious in a room with less than two hundred people in it, but everyone was there for The Lawrence Arms and everyone was determined to have a good time. Which wasn’t hard, because The Lawrence Arms are just great live. Playing a ton of crowd favourites (in other words, every song – even stuff off Buttsweat And Tears was screamed back at them), they had us in the palm of their hands. Although, perhaps too much Oh! Calcutta, an album I’ve only picked up recently, and that’s more a personal complaint because I didn’t know the songs too well. However, there was a good mix across all their releases and everything sounded great. The simplicity of their songs works well live, sounding just as effective as on record. Brendan Kelly, perhaps one of my all time heroes, was as enigmatic as I’d expect, and the dick jokes came in plenty. Name me one other man that can mention blow jobs and Winston Churchill in the same breath and not get punched in the face. And that’s exactly the kind of atmosphere that was there – everyone was there to have fun. And they played On With The Show, so I walked away happy.