Robyn Writes

Halloween Mixtape by ninthandash and Ripper

In tribute to our favourite holiday, we’ve stuck 13 songs in our cauldron and mixed them up for your delight. Stick this on when Halloween comes calling and you won’t be disappointed.

Links to the songs can be found at the bottom of the page.

The Misfits — ‘Halloween.’

Ripper: We’ve decided to open our Halloween mixtape with the most iconic horrorpunk track of all time. It’s true that the Misfits weren’t the same when Danzig left, and this is just one reason why he is the definitive Misfits frontman. From lyrics about hanging cats on poles to the eerie calls of ‘Halloween!’ by Danzig himself, this is just one creepy song.

ninthandash: This has got to be the first song that comes to mind when someone asks me to make a Halloween mix. The atmosphere the song creates is fantastic, and the lyrics work really well even though they’re quite simple. Halloween is a must at any Halloween party; easy to dance to and still with that edge of horror punk that the Misfits are known for.

A.F.I. — ‘The Nephilim.’

Ripper: Where would a Halloween list be without AFI? Professed lovers of all things dark and eerie, AFI usually have at least one song on their albums with something to do with the night. The Nephilim is the story of a man who compares himself to a fallen angel. References to Lucifer (the devil, if you were wondering), anyone? The opening bass riff sends shivers down my spine too.

ninthandash: The Art of Drowning featured a darker horror punk sound than A.F.I.’s earlier releases, and The Nephilim embodies that. The song always seems much shorter than it actually is, due to the fast pace and heavy drums, but altogether it adds up to over two minutes of Havok’s powerful singing. “Like an angel with broken wings, reach to the sky again,” is the strongest message here, and Halloween for me would not be the same without The Nephilim blasting from the stereo.

Resurex — ‘Dia de los Muertos.’

Ripper: Even the title is spooky. There’s just something about Spanish and Halloween that seems to click. Add some slow psychobilly with a pretty apparent echo effect and then a dirty riff kicking in after about a minute and you’ve got yourself an instant wrecking pit. Even Daniel DeLeon’s blood is running cold.

ninthandash: I think Dia de los Muertos has one of the most amazing intros. Laid back while heavy and atmospheric, the build up is tense and a perfect lead up into the more fast paced and energetic verses. The low-toned vocals fit the song perfectly, and don’t detract from the effect at all, rather adding to it. The abrupt change in tempo from slow to fast catches the attention of the listener quickly, and the unique sound means that I’m always captive from beginning to end.

Tiger Army — ‘Power of Moonlite.’
ninthandash: The guitars in this song are definitely a key part. They take the listener on a rollercoaster ride through the song, with Nick 13’s frenzied vocals adding another level to an already strong song. Psychobilly isn’t one of my favourite genres, but Tiger Army always do it so well that I can’t help enjoying this almost haunting song.

Ripper: Psychobilly is certainly my music of choice for Halloween, so we’ve chosen a track from one of the most well known psychobilly acts of our time. Tiger Army often offer up relatively spooky tracks, but the title track from their second album is one of the creepiest. Is Nick 13 a secret werewolf? We’ll never know.

Madness — ‘House of Fun.’
Ripper: Okay, so this is a bit of an odd one, I’ll admit. The chorus key change certainly sounds a bit horrific though. A classic tale of how coming of age isn’t usually all it’s cracked up to be, combined with some pretty awesome trumpets.

ninthandash: I love this song. When I was younger, I used to hear this song and something about it always struck a chord with me. It scared me even then, the upbeat melody having a tinge of horror hidden beneath it — reminding me always of funfairs, with the brightly coloured rides and clowns seeming to hide something darker. Even though it at first seems like nothing more than a fun, catchy song, this song is definitely one of the creepiest for me.

I Am Ghost — ‘Dark Carnival of the Immaculate.’
Ripper: Another song with allusions to the funfair, this opens with a really haunting carnival theme. Pure and simple, this song is about vampires, the classic Halloween bad guys. Juliano’s screams and wails create the perfect atmosphere and Kerith Telestai’s violins set it off just right.

ninthandash: Like Ripper said, the funfair theme is very strong in this, and something about the carnival theme always sends a chill down my spine. The song opens up a new world, one that not many people would be happy to inhabit, and I find the imagery very strong in this. It always definitely gets me thinking about Halloween night, and all the chaos that comes along with it.

Sufjan Stevens — ‘John Wayne Gacy Jr.’

ninthandash: For me, this is one of those songs that I enjoy, but wouldn’t want to think about too much. The lyrics aren’t explicit and perhaps even all the more effective for being so; Stevens hints at the real truth of it while hiding it well enough that on first listen, the song comes across like any other quiet instrumental melody.

Ripper: It’s a song about a serial killer who dressed up like a clown. Enough said.

Alkaline Trio — ‘Back To Hell.’
Ripper: They’re members of the Church of Satan, they write songs about murder and they’re some of our favourite little hellraisers. That’s right, it’s the Trio. They’ve tasted heaven and don’t want any more in Back To Hell, a fast and furious tribute to the devil.

ninthandash: Strong, loud and yet melodic in that distinctive way that only the Trio seem able to constantly do, and do well. Fast build ups make way for slower verses in a way that keeps you guessing as to what exactly is going to come next, reflecting the nature of Halloween perfectly. The chorus is catchy and fun and Trio songs very rarely manage to disappoint — this among them. Always worth a listen.

Protest The Hero — ‘Bloodmeat.’
Ripper: Everything about this song is scary. The dissonant opening riff, the shrieking vocals and those lyrics about cold hearted slaughter… and rape. Don’t forget those raped virgins.

ninthandash: I absolutely adore Protest The Hero and this song has got to be one of my favourite by them. They never fail to blow my mind, and showcase their skills to the max. Different and innovative, the song creates an amazing presence and the band always manage to deliver. Bloodmeat is a Halloween song like no other; cold, brutal and so fucking hardcore.

Social Distortion — ‘Mommy’s Little Monster.’
Ripper: This song is every parent’s worst nightmare, showing us the pitfalls of the rebellious teenager. It’s not scary in a Halloween sense of the word, and the typical Californian punk melodies set you at ease. Maybe that’s what’s really scary.

ninthandash: Just like a punk song should be; fast, epic and loud!

The Fall of Troy — ‘The Dark Trail.’
ninthandash: Sometimes Fall of Troy can be a little ridiculous, trying too hard to be something new, but with The Dark Trail they manage to stay on the right side of the line between enjoyable and too much. The only negative side of this is that perhaps at over four minutes, it overstays its welcome at parts. However, it’s still a dark, creepy song and one that is definitely not out of place on Halloween night.

Ripper: The Fall Of Troy always produce relatively unsettling songs. Whether it’s the unnerving falsetto, the cookie monster screams or the dischord of the guitars, something’s not right about The Fall Of Troy. The Dark Trail is no exception. Teenage rebellion gone to the extreme, with more than a hint of recreational drug use meets mind blowing riffs and terrifying vocals in this one.

Rancid — ‘Maxwell Murder.’
Ripper: Maxwell might not be Jack The Ripper, but he’s certainly a bad lad, and Rancid know it. It’s simply beautiful punk rock, with more than a casual sneer attached. Not to mention, Matt Freeman’s bass solo is just fantastic.

ninthandash: Telling the story of Maxwell, Rancid do it fast and do it well. No time to get bored, the song just carries you away, spitting lyrics and abuse at you in equal measure. Fast, heavy and like a punch to the gut, Maxwell Murder leaves no doubt about the felon himself and just what he’s capable of.

Send More Paramedics — ‘Blood Fever.’
Ripper: And to end our Halloween mix, we’ve got some ZOMBIEXCORE! Every horror movie fan’s favourite, SMP’s song about turning into a zombie just set us off. It’s hardcore at its most bone crushingly awesome, and is guaranteed to get every ghoul throwing down on the dance floor. Plus, this features some of the best gang vocals I’ve ever heard.

ninthandash: I wish Send More Paramedics were still around because this song shows just how refreshing and different they were, while still retaining the elements of hardcore and, at that, zombiecore that they were so well known for. One of my favourite songs on this mix, and definitely a good one to end it with.

Honourable mention goes to…
Those Panic At The Disco boys with their charming ode to the dark night, It’s Almost Halloween. This video is so adorable it just plain fails to scare. Enjoy!



Find these songs here…

Misfits – Halloween
AFI – The Nephilim
Rezurex – Dia De Los Muertos
Tiger Army – Power Of Moonlite
Madness – House Of Fun
I Am Ghost – Dark Carnival Of The Immaculate
Sufjan Stevens – John Wayne Gacy Jr
Alkaline Trio – Back To Hell
Protest The Hero – Bloodmeat
Social Distortion – Mommy’s Little Monster
The Fall Of Troy – The Dark Trail
Rancid – Maxwell Murder
Send More Paramedics – Blood Fever

A Goth’s Book Club by fightclubsandwich

Edgar Allan Poe may have been great, but there’s no reason to see him as the be all and end all of gothic literature. If you like reading material that’s morbid, poetic, gloomy, clever and full of damaged, cynical characters, or wild Byronic heroes then you might just be a closet Goth, and even if you’re not, you may still enjoy this article, since its full of book recommendations that should fit that description.

Jane Eyre – Charlotte Bronte

This book has it all: death, insanity, more death, romance, giant old mansions out in the middle of nowhere! Almost every character is troubled and unconventional and the introspective writing style manages to convey the story’s gloomy atmosphere perfectly while also avoiding any out-of-place angst.

The average goth will probably be able to relate to the main character in a number of ways. She’s got an artistic temperament, had a bad time at school, and is tortured by her unrequited feelings for Mr Rochester, a man that she feels certain she can’t have. Throughout the novel she feels like a misfit around others, and generally sees her surroundings as constrictive – whether it’s at the house of her aunt, who hates her, her underfunded school or at Thornfield Hall, where she is looked down upon by Mr Rochester’s wealthy acquaintances. At the same time as being introspective without getting too claustrophobic and losing sight of the plot and other characters, this is a novel that is clever but accessible. I hate to use the term “stands the test of time” but it really does apply here, and its obvious gloom, intelligence and sense of wonder make it ideal for the Goth audience in particular.

The Gum Thief – Douglas Coupland

What happens when we grow up and are expected to grow out of subcultures that we still feel attachments to? That’s not exactly The Gum Thief’s central issue, but one of the main characters, Bethany is a 24 year old Goth who works at Staples and is better equipped to deal with death than life. She befriends Roger, a depressed colleague with a similarly difficult and fractured personal life and the novel is told through the secret letters they write for each other, and Roger’s novel, Glove Pond, that Bethany helps inspire.

Coupland is kind of similar to Chuck Palahnuik, in that he’s very good at writing on darkly philosophical themes with that sassy, 1990s tone. Both manage to weave the day-to-day and the mundane in with universal themes like, y’know, death and stuff. In my personal opinion, I think Coupland accomplishes this better than Palahnuik, it just feels smoother and more genuine to me, whereas sometimes I get the feeling that Palahnuik is finding it more difficult to hold it all together. I also think that Coupland’s characters are convincing on a level above Palahnuik, and a lot of other writers actually. Check out Bethany’s mother DeeDee, only a side character, but a very believable one who you really feel for. She represents another layer of hopelessness, different to Roger and Bethany, and as an acquaintance of both, she deepens their relationship.

Crow – Ted Hughes

Crow is a book of poetry that is so good it can convert people who thought they hated poetry. The poems tell the story of the titular Crow, whose life is entwined with the very creation of the earth. It’s as dark as you should expect from Ted Hughes, whose work frequently revisits the theme of nature being fucking brutal. Although this collection borrows a lot of mythological ideas and imagery, it’s not the same as T. S. Eliot and a lot of other writers using mythology to build a framework or a sense of order. There is no order to Crow’s world, and the chaos is a little scary, as well as one of the defining elements of the work. If nothing else, it is the shortest work on this list, so if you like darkness, wilderness and that general aesthetic, you’ve really no excuse not to give it a look.

Heart-Shaped Box – Joe Hill

Does it get any more Goth than reading a book after hearing Gerard Way mention it in an interview? Well, only if you seek out books on the recommendation of Glenn Danzig, and maybe if that book is about an aging rock star who buys a ghost on the internet. No really, that’s what this book is about. It starts off about as dramatic and sensational and “holiday reading” as that synopsis makes it sound, but it gets more sophisticated as it goes. The book is full of damaged characters, from protagonist Judas Coyne to his current girlfriend Georgia and spooky dead ex, Florida. Yes, he has a penchant for nick-naming his girlfriends after states of the U.S. and yeah, they’re all weird gothic trophy partners with black nail polish and tattoos and perfect bodies. This is why Judas and Georgia’s relationship is so interesting; the haunting drives them closer together than they ever really expected of their weird partnership of convenience. The ghost itself is at the same time otherworldly and mundane – this is not a faceless demon of any sort, it is the spirit of a real dead man, and the intertwining of memory and identity with death and the macabre is a key theme throughout.

The Sandman Series – Neil Gaiman

An obvious choice? Or just a classic? Firstly, yes, it is a comic and I know that comics don’t qualify as “real, highbrow art” but I feel that the inclusion of Ted Hughes poetry sort of cancels this out. The titular Sandman is the anthropomorphic personification of dreams, one of seven siblings known as the Endless who embody other alliterative concepts, such as Delirium, Death and Desire. These beings are mostly omnipotent, with powers beyond gods, which is often an easy way to make a story boring – is there any struggle that cannot be overcome by a character with no limitations to their ability? Gaiman avoids any such pitfalls by basing the Endless on the character types that you might find in classical literature, such as the scheming malcontent, or the powerful figure brought down by his own pride. The overreaching story arc that runs through every volume is about the siblings plotting against each other, paced like a mystery story in the way that it cleverly withholds key facts but offers lots of clues to keep you guessing.

As well as the poetic tone of the whole series and the fact that Death herself is a character, there are other factors that make this comic a perfect Goth Option. Dream’s main character flaw is his romanticism, which leads him to overestimate himself and get filled with pride, behave cruelly to his enemies and invest too deeply in romantic affairs that go badly. Not to mention that his character design suggests he’s a big fan of both Robert Smith and Trent Reznor.

The Good Soldier by Ford Madox Ford (a review by fightclubsandwich)

The Good Soldier is, in simplistic terms, a book about appearances being deceiving. But since it’s a novel whose central themes include depth and truth, hidden by the willingness that all of us have to brush over the more uncomfortable aspects of the truth, can you really sum the book up in one sentence?

Exactly.

The book opens with the declaration that “this is the saddest story I have ever heard.” It’s a pretty brilliant opening sentence and one of my favourites, I’m sure. It grabs your attention, it prepares you for the fact that obviously this is not in the least any sort of cheerful book, and less obviously, it introduces you to a narrator who is so detached and emotionally lacking that he’s stuck on the sidelines as his closest friends and wife destroy themselves all around him.

The tale of their downfall is completely non-linear, as narrator John Dowell follows his own traumatised train of thought more closely than the passage of time. However, unlike some novels that are written in an untraditional order, The Good Soldier is never hard to follow, due to Maddox Ford’s use of imagery which acts as a knowingly clever framework to tie it all together, and emphasises how trapped the narrator is in a messy and mostly dishonest social circle. This construction is not subtle – it is obvious that Maddox Ford spent a long time putting it together, like one of those models of buildings made out of matchsticks, and the novel seems almost boastful about its cleverness.

But of course, with a book like this that takes as its subject the way humans work, it’s up to the four main characters to carry the whole thing off. If they’re unconvincing or flat, then the novel is completely pointless, but of course, this book is a classic so I think you can already tell where I’m going with this. This is a novel with few characters, but everyone of them is written very cleverly, in particular the Dowells and the Ashburnhams. Like a contestant on a reality show with dodgy editing, it seems as if all four of them are set up with solid and definite character types and then… turned around completely. Leonora Ashburnham, for example, (my favourite character) is initially set up as the cold and calculating wife of the titular soldier, Edward, but her piety, her feelings about family and her honour all chip away at the clichéd façade, right up until an ending that twists her character around once again and leaves you with a lot to think about. Edward himself is almost the traditional hero, a passionate, handsome and charming man, but he also causes a lot of emotional pain to his wife and closest friends, and the truly ambiguous part of his character is whether he is callous and selfish enough to ignore them all and act so recklessly anyway, or if he is in his heart of hearts, just weak.

Maybe some of the social commentary of The Good Soldier can be ignored by a modern reader in our day and age where codes of etiquette and conduct are not really what they once were in 1915, but its still a relevant book with a lot to offer. If you’re sour from all the Twilight drama, then this is a great choice of book for a completely pessimistic, unromantic un-love story. If you liked Closer, this has a similar sort of style, it’s intelligent and character-driven and just a little bit twisted. So many people that I know enjoy books or films or what-have-you when they have traits that The Good Soldier has: solid, three dimensional characters; ambiguity that the reader can interpret in any number of ways; a constant cleverness that never lets up and on top of that it’s one of the more accessible novels that are considered classics. As much as I’ve said already about the technical cleverness of this novel, and how much I enjoyed it, my reason for writing a review is pretty simple: it’s just that I feel like you’d enjoy it too.

Review: Frank Turner – Rock And Roll EP

Rock and Roll. The latest EP from Frank Turner is a collection of new material, set to tide us over until a full album release some time next year. Featuring song ‘I Still Believe’, which was previewed at Reading, is this truly as the name suggests? Let me tell you now, this EP rules. Truth be told, Frank sets the barrier for excellence with each release and then keeps smashing it every time. So let’s have a look and see what it is that makes Rock And Roll just so bloody good.

The EP opens with the aforementioned single, ‘I Still Believe’, a wonderfully upbeat folk punk explosion. ‘I Still Believe’ is a call to arms for us all and is definitely danceable. Frank hasn’t forgotten his hardcore roots yet, working in an admittedly less hardcore gang shout which still invokes that feeling of unity in us all. It’s the kind of song that dares you not to sing along and knows you’ll fail at every turn, drawing you in entirely. Harmonica solos abound, ‘I Still Believe’ is the perfect opener. While it’s not quite my favourite song on the EP, it’s one of the best songs Frank’s written so far and definitely bound to bring in a ton of new fans. Just like its predecessor, ‘Pass It Along’ is a shout out to all of Frank’s contemporaries and heroes (even including a cheeky reference to Chuck Ragan!) and a heartfelt recognition of what it is to truly be a music fan. A bit of a slow burner to begin with, starting with some truly beautiful guitar, but building up to an exciting burst of passion at the end. It’s clear that this was written with a live audience in mind, and is perhaps the perfect song for a festival set in the summer – perfectly chilled out to start but gets everyone excited by the end. Inspiring stuff.

‘Rock And Roll Romance’ is a short acoustic ballad, much in the same vein as ‘A Decent Cup Of Tea’ from Sleep Is For The Week. Some clever lyrics combined with a simple melody makes this song a poignant declaration of undiscovered love. At 1:50, it seems a little too short and indeed, if you’re not paying attention, you completely miss it. But if you look at it another way, that’s part of its beauty – walking down the road, not paying attention, suddenly stumbling upon this little gem. It’s an interesting addition to the EP and one that, if you can help it, shouldn’t be missed. ‘To Absent Friend’ ramps it back up a notch and we’re back to the electric. It’s reminiscent of several songs from Love, Ire And Song, notably Prufrock and God Save The Queen, and is a great demonstration of how Frank’s progressed but is still in touch with his earlier material. Tales of going out in the city and… moving to the coast? Why not? Fast paced, punk rock fun. Final track, ‘The Next Round’, is a slow moving piano based song about the dangers of the rock and roll lifestyle. Some of the best lyrics in the record come out in this track, my favourite line being “I tried to live like Hemingway but life doesn’t work that way”, but the whole song is an intricate poetic triumph and displays Frank’s phenomenal talent for all to see. It’s always been my opinion that a release should have a strong opening and a strong closer, and Rock And Roll does far more than that – it opens and finishes on absolute blinders.

Once again, Frank has managed to amaze me. I honestly thought that Poetry Of The Deed was one of the greatest releases of all time, but now I know that Rock And Roll is as well, if not even greater. It’s a mere £2.49 on iTunes and if you don’t get it, you’ll regret it. Frank Turner is simply the best thing in British music these days, so do yourself a favour, pick up Rock And Roll and be inspired.

5/5 high fives!

PS – the iTunes EP comes with the video as well, so if you do buy it on any format other than that, here’s the video. Doesn’t he look dapper?