Review: Tiger Army – Music From Regions Beyond

Tiger Army are a band that I’ve always been really into. Psychobilly is just one of the coolest genres ever and Tiger Army kind of exemplified that in previous years with really spooky sounding songs and chilling lyrics. However, when I picked up their latest album, Music From Regions Beyond, I was thoroughly disappointed.

The album opens like any other Tiger Army album – with an interlude. No frenetic howling this time, just some good old fashioned guitar. It’s a strong opening, and the song it leads into, Hotprowl is perfectly on track for Tiger Army; it has the same raw energy and fast pace that you’d expect from the band. The echo effect on Nick 13’s voice works as well as it always has, and to be honest, Hotprowl is an excellent song. The next song, Afterworld is equally as good, delivering a psychobilly punch right to your ears.

And then it all goes downhill.

The truth is, all the songs start to blend into each other after a while. Some argue that psychobilly has a tendency to do this anyway, but that’s only if it’s not handled right. Tiger Army have made astounding albums in the past, albums that I have listened to over and over without losing interest, and I’m afraid that MFRB is just not one of those albums. Why? Well, it loses its edge after the first two songs. Admittedly, it picks up a bit towards the end, but the energy that was there just dissipates and we’re left with an album of mediocre songs. These songs aren’t necessarily bad, they’re just uninteresting. Oh, except for As The Cold Rain Falls, which is the band’s attempt at a Cure song. It really just does not work. It’s got this vaguely dreamy quality which does more to irritate than it does to enchant. All in all, not good times. Also, there’s a distinct lack of the bass sound. It’s never been as prominent in Tiger Army as in other psychobilly bands, but there’s just no real bass to half of the songs and they feel a little hollow.

However, there are things about this album that work though. Nick 13 still has a beautiful voice, and yes, I would say that Hotprowl and Spring Forward are some of the best Tiger Army songs I’ve heard. There’s a beautiful song called Hechizo De Amor, sung completely in Spanish, which is truly enthralling and sends chills up my spine. The final song, Where The Moss Slowly Grows is an absolutely wonderful song to finish on, filled with acoustic guitar and spooky psychobilly riffs. It’s just really unfortunate that the middle section of the album is so bland and uninteresting.

This album had a lot of promise, and as I said, there are songs on here that are great. It’s just sadly not enough to save the rest of the album.

2 out of 5 high fives

Live: The Academy Is… – Sluggo’s, 28/1/09 (a review by Nox)

Wednesday night a friend and I drove three hours to Pensacola, FL to a small vegetarian restaurant/bar called Sluggos to catch The Academy Is… on their ‘Hello My Name Is…’ acoustic tour.

The doors were meant to open at 8pm; however, they opened around 8:45pm. During the wait a homeless man that referred to himself as ‘Just James the superstar/number 1’ decided to talk to my friend and I as well as break into song at any given time. He said he played guitar. He also told my friend that she was Sarah Palin because of her glasses, and later he decided I was in the Mickey Mouse Club and knew Britney Spears. None the less, the somewhat small crowd filed into the building around 8:45pm and Just James stayed outside. A recently signed local band called Sky Tells All opened the show and were rather humorous with their small talk, but as far as music goes they were good., certainly opening act material.

After Sky Tells All played and broke down their set, Tony, TAI’s tour manager, began setting up the stage for William Beckett and Adam Siska. William came out alone first. He had words with the crowd before he played, and I must interject that in such a comfortable setting he acted more like he was playing to a group of friends than a crowd of teenagers. He played songs from all three albums, Almost here, Santi, and Fast Times At Barrington High, as well as some B-sides. Half way through the set Sisky joined in as well. However, I must say the best part of the night was how many songs they covered. The list ranged from Radiohead to Steriophonics to John Lennon, and even Alkaline Trio. It was definitely worth the drive just for that.

It is here that I must include how excellent the music sounded. Usually, when I think acoustic I think the songs lose some of the umph they have when played traditionally by the whole band; however, on this night I felt as if I was listening to a recording of each song and each song maintained its initial impact. Nothing was lost in the conversion to acoustic and for that I am very thankful as well as insanely impressed.

In the end, I would sum the performance up as this: If TAI were to put out an Acoustic album, I would have it pre-ordered.

Also, William was very proud to say that he had solved the Rubik’s Cube and asked everyone to join him in watching one of the merch guys solve it in just a few minutes.

Tales From The Other Side (Thoughts Of A Girl Who Fell Off The Edge, But Not The Wagon) by fightclubsandwich

So the last time I drank alcohol was about two months ago. I did reach a certain degree of intoxication. I did remember everything that happened to me whilst drunk the next day. I did not throw up at all. I do not feel that I can identify myself as being, in the strictest sense, straight edge any longer.

I don’t know if I feel bad about not being straight edge anymore. I don’t know what I mean by the word “bad” in that last sentence, actually. Do I feel guilty? Like I’ve let anyone down? Like I’ve let myself down? Not at all. I mean, I know that my life is not going to transform into some mad bacchanalian orgy just because I’ve decided that complete and total temperance isn’t really for me. But it is definitely strange to change your mind about any aspect of your lifestyle when you’ve already aligned yourself with some movement or idea, because suddenly you’re swamped with other people’s ideas, and every movement you make could turn you into a hypothetical situation. Its hard to turn away from straight edge when people already have their own ideas about what that move means.

The figure of the ex-straight edge kid who becomes a raging alcoholic as soon as they can legally do so is a familiar caricature in the dell’arte of the punk scene. There are certainly many potential reasons for this, for example, straight edgers are often perceived as a group with an inflated sense of their own moral superiority and very little in the way of a sense of humour, so the irony of their fall from temperance has elements of humour and schadenfreude, (although obviously the humour vanishes when you over-analyse it like that). Sometimes the “fallen” straight-edger has even gone so far as to get triple-X tattoos advertising their temperance, which acts as a physical manifestation of the moral that is invariably implicitly attached to the character: i.e. pride comes before a fall, if you attach yourself to these codes too zealously then you are setting yourself up to be made into a fool.

Alternatively, you could argue that punks are inherently cynical due to the subculture being all about rejection of social norms and mainstream politics, with the posi-core kids as the sole idealistic exception. Therefore they become instant and obvious targets for their peers with a strain of humour that they aren’t really interested in.

The metaphor fixed in everyone’s minds is of a dam that’s straining under the pressure of suppressed rebellious urges. Imagine that the dam is holding back whisky instead of water. Then when it breaks, the unpractised individual is thrown into a sandbox of intoxicated possibilities and has no idea how to organise them all. So they just give in to everything and to excess.

Oh yeah, and that’s another potential reason for the possibility of the popularity of the fallen straight edge character. The exaggeration of the fallibility of the abstinent can make the “normal person” who does engage in some moderately unwholesome practices seem worldly and knowledgeable in comparison. It subverts the idea of self-control on its head, (especially self-control as the Gorilla Biscuits fan would understand it) and says instead that you can’t control the way you deal with something you’ve never tried. Complete temperance is only ever a set-up that is going to get knocked down.

So the fallen straight-edger is – like most stereotyped caricatures – backed up by a lot of reasoning, even if it’s not real. I’m not saying that this character doesn’t exist in real life – there’s no reason that they shouldn’t – but it really only tells one part of the story, and the whole point of this article is to go beyond that. I think one of the scary parts of letting go of straight edge is that people will assume that you’re not letting go, that you’re falling off. There is a difference between choice and self control in the same way that there’s a difference between leaving a movement and running away, high speed, on rocket-powered roller-skates.

My own decision to leave the straight edge thing behind parallels my reasons for being interested in the idea to begin with. One of the first things that appealed to me about straight edge culture was that it was an excellent source of defiance and anger. Here was a group that was feisty and even ready to defend itself from a huge chunk of the counter-culture, so surely they’d never be afraid of the mainstream? As a teenager, I always felt kind of weird and angry about everyone being out of their skulls all the time because I was scared that people did it as an excuse and an escape. I wanted to be alert and informed and productive and the sheer excess to which people get hammered – Wikipedia describes binge-drinking as “the modern definition of alcoholic beverages with the primary intention of getting intoxicated” – made me feel like I was living in a world that just didn’t care. It was as if everyone was more than happy to drop out of the present and the now, and just sit in the swill of their own dying thoughts. How could drinking to excess ever be rebellious and different when everyone does it? Drunkenness seemed to be the preferred state of mind of the accountants and office workers that I dreaded someday growing up to become.

So I’m pretty sure that my decision to drink again – from time to time, and if I want to – is based upon several different strands of reasoning, but for the sake of the cohesion of this article, I’m going to assert that most of all, it comes from outside forces. From watching the people around me having too much fun while they drink and feeling like an outsider, from the greater need for a distraction from my own inner cynicism, from everyone else making it look so cool. Stuff like that. I think the way that I’ve changed as a person over the last few years – especially since being at university – has left me no longer feeling that same connection to the whole straight edge thing that I once felt. And I don’t think that this is altogether a change to get pessimistic about, I think its just a shift in areas of concentration and what’s important to me. One of the things that I loved – and still love – about bands like Gorilla Biscuits and 7 Seconds was the way they got me so excited and inspired. I felt young and energised and like I could do anything and it didn’t suck to be a teenager after all. On the other hand, I am now nearing twenty and scared, and cynical enough that I want to scoff at that last sentence. I’m sure I’m not the only one who feels this way, we all just want to be the same person we’ve always been on the inside, but so long as we’re all looking for validation and inspiration from the world around us, everyone’s taste in music and literature and everything is going to keep changing.

So is there a right and wrong way to quit straight edge? While it can be sad to put a movement that was once so important to you behind yourself, the trick is to do so in the knowledge that in the future you’ll be able to look back on it with the right kind of nostalgia, and that you can still admire the rules that someone else lives by, even if you can’t connect with them yourself. And what’s sadder is the idea in the minds of some people that the only way to change as a person is through disillusionment and quitting. The idea of someone plunging straight into the thing they’ve always hated, and the use of black humour as the only response to that is the kind of dark thinking that’s perfectly valid but can breed narrow-mindedness. If you’re a cynical person, or just turning into one by default because time is stealing your idealism, well, that’s okay, that’s just what happens sometimes. Just be aware that there are still people out there who think differently to you, and that you’re going to have to find a way to interact with them other than just as the butt of your jokes.

What the heck is straight edge?

Picture this. Stood in the middle of the room, there’s a poor boy or girl frozen stiff while a circle of drunks are asking them “Hey, why aren’t you drinking?” What do they offer as an explanation? There’s the classic “uh, I just don’t want to, I don’t drink”, which is then followed by more protestation from the others, or if they’re so inclined, “I’m straight edge.” This is definitely the more complicated one. Because a good majority of the time, a resounding chorus of “What the fuck is that?” comes up.

So, what the heck is straight edge?

By definition, it’s a movement which originated in Washington DC in the glorious scene that was the hardcore scene. At the time, clubs didn’t originally allow under-21’s into gigs. The Teen Idles, Ian McKaye’s first prominent band, were due to play a gig, but the entire band was under the drinking age. Therefore, the club marked their hands with an ‘x’ to make sure that they weren’t served alcohol. When the band returned to DC, they suggested the same thing, and soon, some clubs began using the same practise to let underage fans in. Meanwhile, an idea was spreading throughout the punk scene of a clean lifestyle. The band who would be Minor Threat adopted this lifestyle of no drinking, no smoking and no drugs, and defined the term in their song ‘Straight Edge’. The straight edge movement then became a thriving subculture, with several hardcore punk bands (including the notable Youth Crew movement) devoting their lyrics and their lives to it.

But if we’re being perfectly honest, how many people are going to take that in?

Not to mention, so much more has been added over the years, and it’s difficult to define exactly what straight edge is. If you’re really straight edge, then you have to be vegan, abstain from promiscuity, abstain from caffeine, be completely drug free and not take any medication at all, be atheist, campaign actively for animal/human/vegetable rights…

It’s hard to know where to draw the line and determine what is straight edge and what isn’t. One issue is whether you’re straight edge if you follow the lifestyle under the legal drinking age. Some say yes, some say no. However, take a look at society. We are living in a society where teenage drinking is higher than it has been in a long time and the number of underage smokers and teenage drug users is rising. Therefore, it makes more sense for people to take on the straight edge lifestyle (if they so choose) earlier. Of course, it’s more of a challenge to resist peer pressure at a younger age, but if a strong enough will and self-confidence is in place, there’s no reason why being under the drinking age should discount someone from becoming straight edge.

Of course, then the boundaries must be chosen. Should straight edge just be the three core rules, as demonstrated in the 80s? Or should straight edgers also be vegetarian? Anti-promiscuity? Atheist? The truth is that any one of these is right. The heart of straight edge lies in the core three beliefs – no drinking alcohol, no smoking and no drugs (presumably the illegal variety) – and thus, these rules must be followed. However, anything else can be optional, even though many are taken to be just as important as the main three. It merely depends on the individual and their beliefs. It must be said though that anti-promiscuity has been accepted as a core belief by many of the straight edge community, more so than any of the other beliefs often attributed to straight edge.

Then there comes the age old question – should straight edgers be proud of their lifestyle? There’s being subtle, and then there’s being hardline. Nobody likes a hardliner. Hardliners are the extremists of straight edge – militant about their beliefs and can be violent to those who don’t follow straight edge. On the one hand, hardliners are extremely proud of what they believe, and hey, shouldn’t everyone be? On the other hand, they’re more likely to punch you if you say you think straight edge is a ton of shit. Due to hardliners (amongst other things), a lot of stigma has been associated with straight edge, and a lot of the time, straight edgers are afraid to talk about their lifestyle. Again, it’s all down to choice. Do you risk being alienated or do you just keep your mouth shut? Then again, isn’t straight edge some kind of crazy stand against peer pressure? Although our generation has no idea about what it was like in the 80s, it’s been said that a lot of straight edgers back then took it up as a way of standing up against peer pressure to do things they didn’t want to do. This is even more relevant now, living in the ‘binge drinking’ culture that we seem to be at the moment.

So, stood at that party, poor boy/girl is wondering what to say… what is straight edge? Straight edge is a subculture. Straight edge is a term created by Minor Threat. Straight edge is a punk thing. But above all else, straight edge is a choice.

Summer Show Checklist (by Nox)

For anyone that has ever been to an outdoor concert you know the complications you are likely to encounter during such an event, such as how to carry all of your necessities safely without a bag and standing in the blazing sun for 3+ hours to get a good spot by the stage to see an anticipated band play. But if you have never been to an outdoor show fear not! I have composed this checklist to guide you through such an experience.

1. MOST IMPORTANTLY dress for the occasion. If it’s hot outside do not wear pants. Dress lightly, and never ever forget the sunscreen. Usually outdoor concerts are not held during cold months but if such a case were to come about, bundle up! Layer as much as you can! Socks, shirts, jackets, underwear, you get the idea.

2. Wear your most comfortable shoes. Plan to walk and/or stand most of the time you are there, but also keep in mind that whatever you wear should not be your most favorite outfit ever because it is likely to get pretty gross by the end of the day. *note: not by you but by other people around you. Take into consideration being in a crowd of sweaty people who will inevitably at some point end up pushed against you by means of moshing, skanking, surfing, or falling.

3. Pockets that close or some form of a rack trap (for girls). When you are planning to be in a crowd and walking all day the very last thing you want is a bag to worry about. So having pockets that close in some way is a good idea, so your money doesn’t work its way out while you’re skanking and nobody with slick fingers can leave you empty handed. Or girls, if pockets aren’t your thing, a rack trap is an awesome hiding place for cash. That way you won’t have sweaty money, and it’s safely concealed, tucked away behind your bra.

4. Speaking of money, BRING CASH. Most merch tents/ booths are not going to have fancy machines to swipe a credit card. Try to get your money ahead of time so you don?t get stuck paying that crappy service charge for the venue’s ATM.

5. Bandanas aren’t just fashionable they are logical. Bring one with you to use to wipe the sweat from your face. I know it sounds petty, but trust me when you are hot you don?t need salty reminders trickling down your face and into your eyes in the middle of watching your favorite band perform.

6. Stay hydrated. If you start feeling overheated go find a shady place to sit and get a drink, preferably water or something low on sugar and carbonation. You definitely don’t want to pass out mid-set and have to be carried out of the crowd by security to the on site medic while you miss half of what you paid for.

7. Don?t forget your camera. Make sure you have the wrist strap or a lanyard to carry it with so you won’t lose it in the process of jumping around in those hyper crowds. The same goes for your cell phone.

Remember these things when you’re planning for your show and you will be so happy you did. Also, make a checklist the day before and try to have everything ready to go ahead of time. That way you will be less likely to forget something. And always remember to double check that you have your ticket before you leave the house!