We Are The Ocean – Kasbah, Coventry [21/1/12]

It seems to be a common theme that nine times out of ten, I feel ridiculously old when I go to a show. Despite being an 18+ show with a club night attached, most of the We Are The Ocean fans there that night were surely underage with clever fake IDs or at least of a lesser mental age than I seemed to be when I was fresh out of sixth form. Maybe it’s because I’m now considered a jaded old punk at the age of 21 (you know checked shirts and bat tats are so last year) and because I’m older than most of the people in the bands I’m now going to see. It seems that increasingly, success lies in bright and youthful eyes and a voice that seems as if it’s wise beyond those years.

That isn’t necessarily an adage that applies to Finish Him!, a local Coventry metalcore/deathcore/partycore/yourowncore (delete as applicable) band. Their voice certainly isn’t wise beyond their years, with song names like “Rosie vs Jim – The Final Showdown” and clips from movies overtly introduced before a particularly heavy breakdown. I tell you what it is though – bloody great fun. There are some ridiculously accomplished riffs and mental time signatures going on within the music as well as a great guttural growl from vocalist Mitchel. There’s clear influences from bands like Emmure, but they certainly have their own sound, and despite looking totally cool, sedate and suited up during the first song, they really went crazy as the set went on, giving their set an intensity to admire without losing sight of having a great time. I’m really looking forward to what these guys have to offer, and with a new record on the way, things are looking good.

Scream Blue Murder looked like, as Kitteh said, they’d just jumped off Myspace. Remember those metal bands who had the flashing backgrounds with dripping blood, a lot of black and red and virtually unintelligible logo? That’d be these guys. They’d gone for some threatening makeup, but just looked as if Black Veil Brides had taken a nap and forgot to get the cleansing wipes out. And they looked like they were only twelve except that one bloke we saw getting a tattoo when I was. Appearances aside, they certainly have some growing up to do. The performance was reasonably tight, but it was boring. Extremely generic riffs, growls with no real tone to them and a pretty average rhythm section. They showed none of the fervour that Finish Him! had, and when they hit upon a pretty good sound, it quickly vanished back into the maws of mediocrity.

We Are The Ocean are the kinds of people that are raised on hardcore but then decide to one-up it and create beautifully melodic songs with all the aggression and passion of the scene they came from. Far be it from me to question the glorious scene that was the 90s emotional hardcore scene, but if we ever wanted to reclaim “emo” from the media and give its original meaning back, We Are The Ocean would be the band to do it with. Their stirring anthems rang out loud and clear over Kasbah tonight with a resonance that other bands can only envy. Despite the room being packed full of dickheads with receding hairlines (I mean, seriously… when it gets that bad, scene hair can’t save you. Shave it.), the room had all eyes on the stage, or occasionally the floor when vocalist Dan Brown decided to take to the pit or the bar himself. We Are The Ocean have so many great singalongs and while the set focused heavily on second album Go Now And Live, the fans knew every word and were happy to show it. You know when you see a performance that leaves you a bit lost for words because it’s more than a bit brilliant? Oh yeah. This was one of those. We Are The Ocean are already doing rather well for themselves, as is evident from the customised plastic bags and yearbooks, but this is going to be their year. Don’t miss them when they come near you.

Heads-up about some sweet live footage

Yo!

My good friend Ariane (who used to write for this site as fightclubsandwich) alerted me to the most AWESOME Vimeo channel. If you like punk rock and like watching bands play but they’re not coming to your town soon, then check out this!

http://vimeo.com/hate5six is where you need to go.

They’ve got full sets of Lifetime, Iron Chic, Title Fight and Coke Bust amongst other amazing videos. Totally amazing.

Me and Kitteh are probably gonna be filming a video tomorrow, so hopefully we’ll get that up tomorrow too. I’m also gonna be going through the backlog this weekend and reviewing some EPs and singles. So deepest apologies if you’ve been waiting for a while.

Don’t hesitate to send us new stuff too – ripper@twobeatsoff.co.uk is where you need to go. I might only be able to do a review a week, but dammit, I’m gonna do it.

xoxo – Ripper

Ripper’s top 10 of 2011

Hey guys!
Completely forgot to put this on the site – I suppose that’s what having ridiculous amounts of media outlets available to you plus the impending Sherlock episode will do to my brain.

It’s a bit of a long one, but hopefully my English charm and inventive straw-signs will convince you to buy several brilliant albums.

Enjoy! We’ll have new reviews up next week.

So this is the new year…

…and I don’t feel any different.

Sorry, cheeky Death Cab For Cutie lyric! No, the site doesn’t feel any different – yet. I’ll be working on a new project for Kitteh, something about Reeves and Mortimer, and while I’m doing that, I’ll be getting my coding brain on and making this site look beautiful.

We’ve kickstarted the new year with a review of arrowcat’s Only Until EP, which you can check out below, and I’ll be uploading my top 10 albums of 2011 tomorrow. In video format. Exciting.

xoxo – Ripper

arrowcat – Only Until EP

arrowcat (lower case please, Microsoft Word) is the reincarnation of Fourth Wave, a ska band formed at Warwick University. For all intents and purposes, it’s the same band with a far less presumptuous name. Nevertheless, they’ve released their new EP right at the beginning of 2012, and if we’re all going to die like the Mayans say we are, this is probably a good idea; it means as much exposure as possible. Because after all, when the end comes, wouldn’t we rather be skanking?

The EP starts with Look Inside, which kicks off the release with a bang. Some epic brass and guitar solos at the beginning lead us into Alex’s soulful vocals. They work well – the band aren’t exactly ska punk, so there’s no need for the aggressive rasp of Itch or Chris from Less Than Jake. That’s not to say that those punk influences aren’t there; there’s some pretty punk-as-fuck solos and riffs scattered throughout the EP. However, the band aren’t afraid to reach out to some of the other spheres ska has touched, such as dub and even prog. Woah.

Round about track three, Run, the EP loses a bit of momentum, which is a shame considering its blinder of a start. Run is probably the weakest song overall – it’s not bad and has some great guitar, but around the middle, it lacks a lot of the intensity which I’ve seen from arrowcat under their previous guise. It does build up quite well towards the end, but the brass could be a bit more forceful, much like it is on London Sky, instead of just underlying. However, once it moves onto Modern Ways, that dub sound comes creeping in and turns that laidback feel into something with real purpose.

I have the feeling that this is an EP firmly crafted with a live performance in mind. Even finishing track, Leviathan, with its totally killer proggy bits would sound ace live. Everything’s kicked up a notch in Leviathan, following the firm “first and last song must win” ethos, and it becomes one of the most skankable songs on the album.

It’s a great new start for arrowcat and no doubt, they’ll be round and about the Midlands any time soon. Although this time, probably not trying to start a new wave of ska, because after all, possibility of the apocalypse and all. I don’t doubt there’ll be trombone foot solos though.

3.5 out of 5 high fives!