Robyn Writes

The Dangerous And The Diarists by fightclubsandwich

Originally posted by fightclubsandwich in September 2009.

Lately, I have become – arguably – a keener diarist than ever. I’ve gotten a thirst for reading anything non-fiction and am writing anywhere between two and five pages a day. I’ve been writing diaries on and off for the last six or seven years of my life. It’s something I feel really proud of, and it’s hard to express why. In the same way that people are shaped by their experiences, my journaling has been influenced by any number of other things that other people have written. This article is a list of things that I read, that then either changed my way of writing diaries completely, or at least invigorated my passion for it. All together they form something of a brief history of my diary-keeping life, and thinking about these books (or thinking about thinking about them… which is weird) made me think about all the great reasons there are to keep a book you write in every day.

Mia Thermopolis

If you don’t recognise Miss Thermopolis’s name, that’s likely because she’s a fictional character, from the Princess Diaries books. I understand that the thirteen year old girl demographic is not exactly the prime target audience of this website, webzine, whichever, so I will forgive you for not being entirely familiar with this particular series of books. If you are a thirteen year old girl, I am very sorry, I will try to swear less.

Unsurprisingly, I started reading the Princess Diaries books as a thirteen year old girl, and was inspired to start writing my own diary immediately. The book is written in the style of the real diary of the main character, and the author, Meg Cabot, really makes the most of the format she’s chosen. Mia writes her diary in lessons, at school, especially Algebra, which she hates. She has written conversations with her friends, she writes about things that are happening in the classroom she’s in at the time; she makes notes about her homework; she composes silly lists with her friends about which actors they find attractive or their favourite TV shows. At some of the more dramatic moments she writes a statement of the latest plot development at the top of the page, says she’ll write about it later and leaves the rest blank.

I’d argue that it’s very true to the way a real teenage girl would write a diary, but the truth is, it’s such a huge influence on my own style of writing my journal. Like Mia, I write a lot of entries that start with declarations of where I am at the time of writing, e.g. in a lecture. I make notes about homework and used to have written conversations with my friends in the diaries of my teenage years. I realised soon that what really appealed to me about this style of Mia’s was that it went beyond a direct retelling of what she’d done that day. One of the most offputting things about writing a diary is the idea of churning out entries that read “today I woke up and got dressed and brushed my hair and ate some cornflakes for breakfast, and drank some coffee, and then went to lectures and we learned about African American writers who lived in Europe and how their nationality eclipsed their race and then I shot myself in the head because I found it so boring to write all this shit down so dryly.” (dear thirteen-tear-old-girl readers: I’m sorry about the swearing and the suicide joke, please do not tell your parents)

My actual diary entry for today consists, so far, of things I did last night, speculation about the future, my current state of mind, notes for the future, (I have to buy washing up liquid…) it’s just so much more fun to write stream-of-consciousness style, utterly structureless diaries. If you want to, why not go ahead and write four pages on a new scarf you purchased, or how some guy locked his dog in his van, but in the driving seat, which looked hilariously like the dog was driving a van, and totally leave out the part where you fell over and scraped your knee or went to the cinema or what have you.

Cabot obviously chose to write her book in this particular format because a diary is something that is shaped so completely by the identity of the writer. This is such an obvious thing to say, I know, but it’s true, and The Princess Diaries totally ingrained in me that whole idea of your diary being shaped by your own experiences, your own life and emotions and personality. It’s a chance to be completely in control of something and a way to express yourself in a way that is like no other medium with it’s complete lack of limits.

My Friend Natalie

I have a friend called Natalie, who I have known ever since we were both seven. I’d never hesitate to call her one of my closest friends, but it was only last year that she showed me her inspiration journal, and that’s the only part that’s really relevant to this article – to go any further would be to completely shed any pretences of real subject matter and completely derail this piece into self-indulgence.

Anyway, Natalie is an art student, and it was during her foundation year that she showed me this book. It was a small one – a little bigger than a quarter of an A4 page – which she treated as a scrapbook. It was amazing. It was gloriously multimedia – she just stuck in anything she saw and liked, basically. Adverts torn out of newspapers, drawings on the backs of envelopes, scraps of fabric, ribbon, sequins, photographs, playing cards, anything at all, every inch of every page was completely covered. The spine was tight and tense, the front and back covers nowhere near each other. She still maintains these inspiration journals, the last one I saw had playing cards with typewritten words on them (notably after we saw The Dark Knight this summer) and drawings of trees she’d done, among other things.

Maybe it’s cheating to include her on this list, since technically, Natalie doesn’t keep diaries. These books don’t have dates, they have very few words, and those they do have are mostly incidental. But I just love the idea of adding a collage element to diaries. The next one I started after seeing Natalie’s was filled with ticket stubs, patterned tape with Christmas trees on for giftwrapping, pictures of Matt Skiba, chewing gum wrappers, images cut off flyers for art shows or bands playing gigs (that I did not go to). This diary ended up extraordinarily fat and difficult to close properly, but the mixed media approach was so much fun, and it felt like a way to rejuvenate my love of keeping diaries – it’s difficult to write one every single day, so I told myself that for this one, I would just have to put something on a page every day, it could be a drawing, or stick in some sweet wrappers, or anything at all, just so long as it was something. I photocopied a page of a Virginia Woolf novel at one point, became an even more avid magazine cut-up-er, and of course, allowed my housemate to draw a picture of “Moon Hitler” walking around in a Star-Wars-looking robot. (I don’t know why, either)

Henry Rollins

To be perfectly honest, I found Mr Rollins’ literature initially quite disappointed. I ran out and bought Black Coffee Blues immediately after having seen his spoken word show, which was such an utterly amazing experience – too brilliant to describe with any brevity here – so it couldn’t help but come off unfavourably in the comparison I couldn’t help making. Black Coffee Blues is simply just not a good expression of how brilliantly intelligent Rollins really is. The book can be split into two parts – the first is somewhere in the region of two hundred (I wish I had my copy of the book with me right now) very short pieces of fiction. They’re between a paragraph and a page long. Many themes are recurring, which makes it interesting to identify connections between them. Are any of them about the same characters? Rollins is very effective with what he leaves out, what he doesn’t tell you, in these short pieces, he cuts out morality, names, and plays around with tenses and perspectives, but overall the prose itself is kind of hamfisted. It gets a little frustrating, there’s this feeling that he could write something better than this and that the book is trying to articulate something really special, but it just… can’t

The second half of the book is extracts of diaries. This is the best part. This is the part that makes me crave Get In The Van – the work by the same author that consists entirely of diary entries. This is the book that was initially recommended to me, but they didn’t have it in Borders at the time. Rollins is a really good diarist, it’s a perfect medium for him, because he’s at his strongest and most confident when writing about either the world around him, or his and feelings and general introspection. His strength is not coming up with great ideas of things to write, it’s how he writes these things. And as I was reading the book, I got thinking about how that’s another way to think of a diary. You have all the material you could need, it’s just your own life, and it’s often mundane, or the same as the previous day; there are too many characters and too many details to condense into one page of words. But that there’s so much of it is a glorious thing. Writing a diary is taking your own life and times as raw material and strengthening your own voice, and making the telling interesting. This was what made me start to think of a diary as writing that’s no less real than a novel or poem or article such as this one. You find your own voice, and end up learning so much about time and how to arrange narratives chronologically and give opinions and get as personal as possible. Reading Rollins’ diaries is like reading someone transform their own life into… something else – I can’t think of a term that doesn’t sound so pretentious, in my head – only ever a snapshot or few pages at a time.

Henry David Thoreau

When I first applied to study literature at university, I was thinking about it in terms of plays, novels and poetry. This is probably the solid view of most people who look in on the field from the outside, and for the most part that’s the case. But I discovered, gradually, that there’s more to it than that. If you’re interested, it’s easy to find published compilations of written letters from a lot of famous authors – most notably Jane Austen and Alexander Pope, among others – and, I’m sure you could see where I’m going with this, there are journals.

Henry David Thoreau was a poet, but published a lot of his journals, and when I started studying him this year, it sparked a sudden interest in non-fiction writing for me. Most famously, Thoreau wrote Walden, his journals of a period he spent living in the woods, apart from society, and it’s considered a classic of American literature. This is such a good example of diaries as real, fancy-pants literature. It’s all polished up, of course, stuff that he wrote in the moment and then corrected and smoothed out later, before publishing, but it’s still worth looking at. Thoreau was fascinated by science – especially nature and biology – so the approach to the whole Walden project can be seen as similar to a scientific experiment, but applied to philosophy and how people live. Thoreau here puts his money where his mouth is, and weaves his life and his work together, and that’s an approach to writing journals that we can take from Thoreau. Walden is an example of complete expression, something that Thoreau obviously put a lot of work into and something to be proud of, and writing a journal gives one a lot to be proud of. Even the most unwilling to write can build up a really prolific body of work, without it even really feeling like working. You can write whatever you want to write, within this framework of stability that you’ve set out for yourself. My favourite way of looking at a diary is still as pages and pages of pure blank freedom, that slowly become a piece of the writer themselves.

I guess there’s no conclusion that I can come to that’s not completely trite and obvious, but the bottom line when it comes to keeping diaries is that there is beauty in the individual special-little-snowflakeness of someone’s journal. Diaries are kind of like rice, they’re just blank, plain things that, with the right additions and flavourings, can be moulded into the most interesting, satisfying things, but even on their own, before being touched, they’re still so intensely blank and empty that you can’t help but being filled with hope and excitement about all the things that you can write inside them, even if I am moving way away from my rice analogy. It’s one of those things that everyone approaches differently- this year I am living with a girl who writes one page every evening, a regularity which I could never enforce up on myself, and I can only wonder about what her journal is like to read. And every time I read someone else’s – the examples in this list being key – it just fills me with a strange sort of joy, a joy that comes from the confirmation that what I spend so much time and effort doing is really worth something, whether it’s art or work or whatever. Again, I have to say, I’m sorry about all the Disney movie sentiments that are drawing this article to a close, but in my defence, I did not know, when I started, that it was going to end this way. That’s just how it goes when you try to fill up a blank page.

Monodon Monoceros

Originally posted by A.Von.Doll on 26/11/09. Click image for full size.

Iquanodon Anglicus

Originally posted by A.Von.Doll on 18/11/2009. Click image to see full size.

Crossota Millsae

Originally posted by A.Von.Doll on 12/11/09. Click image to see full size.

Cartoon Couture? by fightclubsandwich

Originally posted by fightclubsandwich in October 2008

And now, an article for the girl who considers the Vans slip-on a more iconic shoe by far than anything by Christian Loubouwhatsit. Why spend all that money on Vogue or Cosmo or Glamour to learn about expensive, exagerated clothes being worn by models with ridiculous figures, that are difficult-to-the-point-of-impossibility to translate into real life? You can learn how to navigate your way around the convoluted, controversial world of fashion by remembering the cartoons you used to watch as a child!

Mona The Vampire

It’s pretty clear from the outset that Mona The Vampire is a child of the 1990s. Firstly, she embraces the grunge look, with dreadlocks, Courtney-Love-style exaggerated make-up (her eyelashes were about as long as her fingers, and those porcelain-doll-parody red spots on her cheeks must be some statement use of blusher) and baggy clothes that are often quite lumpy and misshapen, but in a cool way. On the other hand, other items of her attire, such as her loafers and knee socks are SO this summer, if you’re into the whole trend-spotting thing. Not to mention that Goth is supposed to be coming back in a big way this year (and if you’re anything like me, that is EXCITING NEWS).

However, Mona’s overall look is mostly reminiscent of the mix-and-match street styles torn straight from the Fruits books and magazines, and blogs such as hel-looks. com. The button up shirt is so Lolita-esque, especially accessorised with the over-sized neck bow and hair ribbons. Then there’s the clashy-clashy colour scheme- the cape alone is deep purple with lime green and mustard flowers, and worn with a red blouse! The reason that the likes of the Fruits books fascinate everyone is the sheer inventiveness that the subjects show, pulling off eclectic looks that make you wish YOU’D thought of that, and that mix is Mona’s look in a nutshell.

Babar The Elephant

Babar is an elephant who is adopted by an Old Lady (referred to perhaps excessively bluntly as the “Old Lady”, and no, not in the sense that she was Babar’s “Old Lady”, it’s absolutely not THAT kind of a cartoon) and is taken to France, where he is dressed by Parisian tailors in what we must assume to be an extremely well-made suit. These guys designed and made clothes for an ELEPHANT, if you’re going to take on a challenge like that, you don’t do it by halves.

Anyway, then some more things happen, and Babar goes back to Africa and becomes King of the Elephants, bringing back many elements of French culture, in what may or may not be an endorsement of Western imperialism and colonialism, but I am not one to let Wikipedia ruin my childhood memories. Besides, all that subtext has nothing to do with the clothes. Does the possibility of a morally dubious underbelly to a children’s story really detract from the genius shade of green of Babar’s suit? It’s bold enough to be a personal trademark, but not too ridiculous or silly to undermine him or his role as a leader. Not to mention that the cartoon series at least show him wearing the suit as a very young elephant, (ambiguously aged, but I’d peg him as a teenager) as well as when he grows up to become a parent himself? This shows a sensibility about his style and teaches the kids from a very young age that there’s nothing glam about never wearing the same thing more than once, and a well-made item that will last you a lifetime is an infinitely wiser choice.

Madison from Cardcaptors

Like many children’s television programmes, Cardcaptors revolves around a young girl who has magical powers, blah blah blah, save the world, blah blah blah, cute little animal companion, etcetera. The aforementioned world-saver, Sakura, has a best friend who insists on designing beautiful outfits for her to wear whilst doing the whole magical thing, and if the characters’ school uniforms weren’t cute enough to leave any regular schoolgirl green with envy – those cute little berets! The bell-shaped sleeves! The red detailing on the collars! – Madison’s glorious garments raise Cardcaptors to the status of Sex & The City for ten year olds. It’s probably best to put any questions regarding the sewing skills of a child who is still in primary school in the back of your mind. Just open your eyes and let them water at the fabulous wardrobe she is responsible for.

Madison’s design trademarks (although she doesn’t actually wear the best stuff, it seems unfair to credit Sakura as the stylish one since she doesn’t seem to wear anything other than her school uniform when not in Madison’s creations) include lots of matching and co-ordination, small details such as buttons and bows that tie the outfit together and playfully feminine headgear such as ribbons, berets and even bunny ears. Her outfits almost always include tiered skirts with lots of petticoats, and she often matches them with knee socks or high boots, and capes that offer an interesting set of lengths. She also pays a lot of attention to her sleeves, with lots of puffiness around the shoulders, detailed cuffs or supplies very long gloves instead of sleeves, for something a bit more modern.

X-Men

If the girly eccentricities of Cardcaptors are analogous to Sex & The City, then X-Men is more like Dynasty. I am not talking about the more recent movie tie-in series X-Men Evolution; this is the early nineties attempt at telling the X-Men story, and the 80s influence is all over the character design. To start with, there’s a lot of really big hair. In retrospect, I suppose it’s odd that my six year old self was never in any way perturbed by the fact that Jean Grey’s hair was bigger than I was. The best X-Men hair of all, however, has to be Storm’s. Although she has some stiff competition – Quicksilver also did the edgy ice blonde thing, (and is probably the role model of Jay Manuel from America’s Next Top Model) and Rogue’s two-tone ‘do is one of the most recognisable looks in the Marvel Universe – Storm’s utterly awesome mohawk phase makes her admirable not only from a fashion standpoint, but is indicative of her role as one of the fiercest of all female comics characters, like, ever. It may not be a particularly shocking haircut to the likes of you, dear reader – and if it is, just go to your nearest Green Day concert or easily available alternative, where they’ll be ten-a-penny – but for a children’s cartoon? A character aimed primarily at young girls? It’s a pretty big difference from all that Disney Princess Hair, for sure.

Anyway, these mutants also love their statement pieces, (as I believe they’re referred to in actual fashion magazines) from Jubilee’s bright yellow trench coat to Shadowcat’s exaggerated preppy lapels and Jean Grey’s thigh-high boots. This is in keeping with the central theme of the show of every character having their own unique abilities, of everyone having some aspect of themselves that’s special and unique. My favourite character at the time was Rogue, and her pairing of a scruffy khaki jacket with bright yellow and acid green spandex is a distinctive, punky, experimental look that few could pull off – and with the aforementioned two-tone hair, too!

Top Cat

When you see a bright yellow cat wearing a plum-coloured waistcoat and fedora, you know that this is a creature who is utterly fearless in his fashion taste. Kate Moss later stole the whole fedora-and-waistcoat combo idea, but with none of Top Cat’s pizzazz nor courage. Denim and black may be in tune with her rock ‘n’ roll image, but it’s less interesting, for sure. Top Cat not only succeeded with what could have been a tricky monochrome look, but also made it work as a successful day-to-night outfit. Admittedly, when you’re a cat who lives on the streets, you may not get invited to a lot of fancy affairs that may warrant a “night look” but hey, at least he doesn’t look as dated as Choo-Choo (that’d be the pink one in the white polo neck) who – now that it’s not the sixties any more – just looks like some sort of practitioner of some sort of strange, new-agey healing technique. And that’s just weird.